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Contents.Overview In its most narrow usage, fiction refers to novels, but it may also denote any ' narrative' (see ), including,. More broadly, fiction has come to encompass storytelling with imaginary elements in any format, including, or, games (most notably, and ), and so on.A work of fiction implies the inventive and, most commonly, its fictionality is publicly acknowledged, so its audience typically expects it to deviate in some ways from the real world rather than presenting only who are actual people or descriptions that are factually true. Fiction is generally understood as not adhering precisely to the real world, which also opens it up to various interpretations. Characters and events within a fictional work may even be set in their own context entirely separate from the known universe: an independent.In contrast to fiction is its traditional opposite:, in which the creator assumes responsibility for presenting only the historical and factual truth. Despite the usual distinction between fiction and non-fiction, some fiction creators certainly attempt to make their audience believe the work is non-fiction or otherwise blur the boundary, often through forms of (including some and ) or even through deliberate.

See also:Traditionally, fiction includes, and, (including, and ). However, fiction may also encompass, and many, ( and ), etc.The has had a major impact on the creation and distribution of fiction, calling into question the feasibility of as a means to ensure are paid to copyright holders. Also, such as make texts more readily available. The combination of inexpensive home computers, the Internet and the creativity of its users has also led to new forms of fiction, such as interactive or computer-generated comics. Countless forums for can be found online, where loyal followers of specific create and distribute derivative stories. The Internet is also used for the development of, where a story is delivered through a either as flash fiction or serial, and, where a story is written sequentially by different authors, or the entire text can be revised by anyone using a.Types of in are distinguished by relative length and include:.: the boundary between a long short story and a novella is vague., 's (1899) is an example of a.Genre fiction. Main article:Fiction is commonly broken down into a variety of: subsets of fiction, each differentiated by a particular unifying; set of, or other tropes;; or other popularly defined criterion., for example, predicts or supposes technologies that are not realities at the time of the work's creation: 's novel was published in 1865 and only in 1969 did astronaut first land on the moon.places imaginary characters into real historical events.

In the early historical novel, 's fictional character Edward Waverley meets a figure from history, and takes part in the. Some works of fiction are slightly or greatly re-imagined based on some originally true story, or a reconstructed biography. Often, even when the fictional story is based on fact, there may be additions and subtractions from the true story to make it more interesting. An example is Tim O'Brien's, a series of about the.Fictional works that explicitly involve supernatural, magical, or scientifically impossible elements are often classified under the genre of, including 's, 's series, and 's. Creators of fantasy sometimes introduce imaginary creatures and beings such as dragons and fairies. Literary fiction.

Main articles: andis a term used in the book-trade to distinguish novels that are regarded as having, from most commercial or.has suggested that while any definition will be simplistic there is today a general cultural difference between literary and genre fiction. On the one hand literary authors nowadays are frequently supported by patronage, with employment at a university or a similar institution, and with the continuation of such positions determined not by book sales but by critical acclaim by other established literary authors and critics. On the other hand, he suggests, genre fiction writers tend to support themselves by book sales. However, in an interview, lamented that 'the category of 'literary fiction' has sprung up recently to torment people like me who just set out to write books, and if anybody wanted to read them, terrific, the more the merrier.

I'm a genre writer of a sort. I write literary fiction, which is like spy fiction or chick lit'. Likewise, on, he argued that this term, when applied to his work, greatly limited him and his expectations of what might come of his writing, so he does not really like it. He suggested that all his works are literary, simply because 'they are written in words'.Literary fiction often involves, or reflection on the. In general it focuses on 'introspective, in-depth character studies' of 'interesting, complex and developed' characters. This contrasts with genre fiction where plot is the central concern. Usually in literary fiction the focus is on the 'inner story' of the characters who drive the plot, with detailed motivations to elicit 'emotional involvement' in the reader.

The of literary fiction is often described as 'elegantly written, lyrical,. The of literary fiction can be darker than genre fiction, while the pacing of literary fiction may be slower than popular fiction. As notes, 'literary fiction, by its nature, allows itself to dawdle, to linger on stray beauties even at the risk of losing its way'.

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See also:Realistic fiction typically involves a story whose basic (time and location in the world) is real and whose events could feasibly happen in a real-world setting; non-realistic fiction involves a story where the opposite is the case, often being set in an entirely, an of the world other than that currently understood as true, or some other non-existent location or time-period, sometimes even presenting or a defiance of the currently understood laws of nature. However, all types of fiction arguably invite their audience to explore real ideas, issues, or possibilities in an otherwise imaginary setting, or using what is understood about reality to mentally construct something similar to reality, though still distinct from it.In terms of the traditional separation between fiction and, the lines are now commonly understood as blurred, showing more overlap than mutual exclusion. Even fiction usually has elements of, or grounding in, truth.

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The distinction between the two may be best defined from the perspective of the audience, according to whom a work is regarded as non-fiction if its people, places, and events are all historically or factually real, while a work is regarded as fiction if it deviates from reality in any of those areas. The distinction between fiction and non-fiction is further obscured by an understanding, on the one hand, that the truth can be presented through imaginary channels and constructions, while, on the other hand, imagination can just as well bring about significant conclusions about truth and reality. Literary critic, argues that 'fiction is both artifice and ', meaning that it requires both creative invention as well as some acceptable degree of believability, a notion often encapsulated in poet 's term:. Also, infinite fictional possibilities themselves signal the impossibility of fully knowing reality, provocatively demonstrating that there is no criterion to measure constructs of reality.

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See also. As philosopher Stacie Friend explains, 'in reading we take works of fiction, like works of non-fiction, to be about the real world—even if they invite us to imagine the world to be different from how it actually is. Thus, imagining a storyworld does not mean directing one's imagining toward something other than the real world; it is instead a mental activity that involves constructing a complex representation of what a story portrays'. The research of Weisberg and Goodstein (2009) revealed that, despite not being specifically informed that, say, the fictional character Sherlock Holmes, had two legs, their subjects 'consistently assumed that some real-world facts obtained in fiction, although they were sensitive to the kind of fact and the realism of the story.' References.